Lift, the debut feature film from director Conor Armstrong Sanfey, is a bare-bones, taut drama with enough edginess and emotional impact to endorse it.
Dead Along The Way is a black comedy that zips along thanks largely to some wonderfully sharp writing and more than a little charm.
Fire at Sea is a credit to the potential of documentary filmmaking, with acute sensitivity and seamless edits more reminiscent of fiction
Ice Age: Collision Course, the fifth instalment in the franchise, will be an enjoyable watch for children and just about tolerable for adults.
A deeply bleak view of the deterministic nature of life and the inevitability of melancholy, Julieta is a reason to keep believing in the power of cinema.
The Randomer is a heartwarming and emotional comedy about love, relationships and motherhood. A tender film that deserves to be seen.
The Neon Demon is a warped, gorgeous spectacle that won't dramatically change minds about Nicolas Winding Refn - expect strong, divisive reactions.
Life on the Road is not going to convert any Gervais-sceptics, but it is superior to most comedies you'll see in the cinema at the moment.
Neither hilarious or humourless, happy nor sad, Danish director Thomas Vinterberg's The Commune is one of those films that just has to be experienced.
Cardboard Gangsters has strong performances and a real sense of authenticity, but struggles to find something new to say about Ireland's gangland culture.