Perhaps more funny peculiar than funny ha-ha, Roy Andersson caps his existential comedy trilogy in his trademark style. Newcomers enter at their own risk.
Clouds of Sils Maria sees three fine actresses confront the trials of self-promotion and doubt with fierce intelligence and grace.
With verve and empathy, Girlhood delivers a compelling portrait of young womanhood disguised as a social commentary.
Highly reverential, yet admirably modern in its execution, Far From the Madding Crowd is a worthy, engaging breath of new life into Hardy’s iconic text.
With enrapturing visuals and anarchic energy in spades, the audacious extravaganza that is Mad Max: Fury Road demands to be experienced on the biggest screen possible.
Carol Morley's sophomore feature is a heady and eerie tale of burgeoning sexuality and the effects of institutionalization.