Scannain

#Canne18: Asghar Farhadi’s Everybody Knows to open 71st Festival de Cannes, May 18th

Its cosmopolitan credentials front and centre, the 71st Festival de Cannes opens on May 8th with Todos lo saben (Everybody Knows), a Spanish psychological thriller, directed by an Iranian and produced by a French company and directed by Asghar Farhadi.

Festivals

#Festival: Last minute submissions for Sheffield Doc/Fest 2017 open until February 23rd

Last minute submissions for Sheffield Doc/Fest 2017, the UK's premier documentary film festival, are still open until February 23rd.

Festivals Review

LFF 2015 – Carol

Style is tempered and emotions heightened in Carol, with two magnificent leads bringing us through a heartfelt and moving tale of forbidden passion.

Festivals Review

Biennale 2015 – A Bigger Splash

Luca Guadagnino's melodrama benefits from genuine intelligence in the direction and script, a pleasantly relaxed pace and a Ralph Fiennes performance like you've never seen before.

Festivals

#Festival: Call for entries for 2018 Celtic Media Festival in Llanelli, Wales

Llanelli in Wales has been announced as the host location for the 2018 Celtic Media Festival as the festival opens its Call for Entries.

Festivals

#IrishAbroad: Formidable lineup announced for the 69th Cannes Film Festival

Jeff Nichols Loving, which stars Ruth Negga, to play in competition at the 69th Cannes Film Festival, May 11th to 22nd.

Festivals Review

LFF 2015 – The Assassin

Though immaculately designed, The Assassin is too measured and self-assured to deliver on the thrilling promise of its genre brethren.

Festivals Interview Irish Film

#ADIFF17: Red Carpet Report – The Secret Scripture

As this year's ADIFF comes to a close we take a look at the interview of Eric Bana and Jim Sheridan at The Secret Scripture red carpet.

Festivals Review

LFF 2015 – The Witch

As a first-rate horror full of dread, and as a directorial debut, The Witch excels. Prepare to be disturbed.

Festivals Review

Biennale 2015 – Afternoon (Na Ri Xiawu)

Though brandishing plenty of wit and insight, Tsai Ming-Liang's confessional Afternoon will be more accessible and be of more interest to his fans above anyone else.

Irish Government commences 40% Visual Effects Uplift to Section 481 film tax credit

Des Carey joins Elephant Goldfish as Executive Director, Strategic Growth & Innovation

The Lost Children of Tuam wins Best Irish Film as record crowds mark 38th Galway Film Fleadh

DIFF 2026, The Exit 8 and adapting videogames to the big screen

Dublin Film Critics Circle announce 2025 award winners

Sense and Sensibility – Full of character and charm

Resident Evil – Head and shoulders and arms and legs above the rest

Pressure – It builds, and it builds

Festivals

#Canne18: Asghar Farhadi’s Everybody Knows to open 71st Festival de Cannes, May 18th

#Festival: Last minute submissions for Sheffield Doc/Fest 2017 open until February 23rd

LFF 2015 – Carol

Biennale 2015 – A Bigger Splash

#Festival: Call for entries for 2018 Celtic Media Festival in Llanelli, Wales

#IrishAbroad: Formidable lineup announced for the 69th Cannes Film Festival

LFF 2015 – The Assassin

#ADIFF17: Red Carpet Report – The Secret Scripture

LFF 2015 – The Witch

Biennale 2015 – Afternoon (Na Ri Xiawu)