A charming and moving look at fraternal envy, guilt and - ultimately – love.
Paddington offers a warm, friendly and imperfect slice of nostalgia, courtesy of a best-of-British cast.
Sanctimonious, smug and hysterical, Men, Women & Children is an unbelievable and thoroughly unlikeable slice of moralizing.
Horrible Bosses is bigger, broader and a little better than its predecessor, though that doesn't add up to anything particularly special or memorable.
Venus In Fur is a biting and well-performed take on gender politics, even if it pulls it punches on occasion.
School of Babel is a vivid look at modern France through the prism of children coming to it for the first time, given a voice through their education.
The Possibilities Are Endless charts Edwyn Collins' recovery from near-death with grace and dignity to become one of the gems of 2014.
Compelling performances and a dazzling look and score balance our Cold In July's riskier experimental tendencies
Skipper, Kowalski, Rico and Private are the penguins you need. P-p-p-pick 'em up.
