Live, Die. Repeat. This is a big-screen spectacle but is also the type of movie that will sit happily in the reliable action movies we turn to come future Saturday nights.
A film that shows great potential and has enough to make you want to see what scriptwriter and director Donal Nugent will do next.
It looks the part but, try as it might, The Two Faces of January is a minor Highsmith adaptation, lacking in tension.
The last 10 minutes alone justify its existence. A flawed master-piece, but a master-piece all the same.
Looking back through movie history is always fun for a movie fan, but looking back to 1994, you find yourself...
Engrossing all the way to its heart-breaking conclusion, it’s fair to say that Miyazaki has crafted a beautiful film that doesn’t need factuality to make it brilliant.