Antoine Fuqua's The Magnificent Seven is slick, stylish and crackles with energy. Magnificent? No. Explosive, chaotic fun? Oh hell yes.
Lift, the debut feature film from director Conor Armstrong Sanfey, is a bare-bones, taut drama with enough edginess and emotional impact to endorse it.
Dead Along The Way is a black comedy that zips along thanks largely to some wonderfully sharp writing and more than a little charm.
The Neon Demon is a warped, gorgeous spectacle that won't dramatically change minds about Nicolas Winding Refn - expect strong, divisive reactions.
With Darren Thornton’s A Date for Mad Mary, audiences are finally treated to a character with depth and credibility, and a film full of heart-warming charm.
Life on the Road is not going to convert any Gervais-sceptics, but it is superior to most comedies you'll see in the cinema at the moment.
Neither hilarious or humourless, happy nor sad, Danish director Thomas Vinterberg's The Commune is one of those films that just has to be experienced.
Jim: The James Foley Story is a powerful documentary exploring the life and work of this extraordinary individual, and the aftermath of his public execution
In View and Gridlock have won awards at the Rhode Island International Film Festival, taking Best Screenplay and Best Short Film respectively.
Fire at Sea is a credit to the potential of documentary filmmaking, with acute sensitivity and seamless edits more reminiscent of fiction