Despite some laughs and the return of the original cast, T2 Trainspotting is too belated a follow-up to maintain the original film's energy or bite.
With Split, M. Night Shyamalan is back and in a big bad way. Phenomenal cinematography, haunting score, and brilliantly cast.
Though well made, Silence has too much to say, and thus gets in the way of its own themes and dilemmas. Philip looks at Martin Scorsese's latest feature.
Nocturnal Animals is an exceptional, ink black story that strays across many paths without ever losing sight of its singular destination.
With Hacksaw Ridge, director Mel Gibson and star Andrew Garfield have delivered a real contender for best picture this Oscar season.
The impressive visuals, the energetic music and the colourful cast of characters in Sing will stay with you long after the credits roll.
Billy O'Brien's I Am Not A Serial Killer has a reverence for ‘80s horror, with grit and grue, and a self-assuredness that belies its relatively small scale.
Led by a never-better Portman, Jackie skillfully and wittily examines the weight of legacy and duty through the viewpoint of one remarkable woman.
With phenomenal performances at the centre of Manchester By The Sea, Kenneth Lonergan crafts a recognisable and moving treatise on grief and how we respond to it.
Wild Goose Lodge is a story about a time that ought to be remembered, but regrettably this film is not the depiction that that time deserves.